King Mob
King Mob was a radical English art collective, based in
London, in the 1960s and 70s. They
sought to emphasize the cultural anarchy and disorder that they saw as being
ignored in Britain at the time.
Aims
The brothers David and Stuart Wise (who had studied art in
Newcastle) were the most dominant members of the group from the outset. The
Wise brothers developed a combination of hard-edged politics (Russian nihilism
and texts such as Pisarev’s “The Destruction of Aesthetics” fuelled notions of
value, politics and the lack of a social function in art) and the disruptive
potential of Dada and Surrealism.
After they moved to the Notting Hill area of London, the
brothers came into contact with Situationist
International – two of whose members (Chris Gray and Don Smith) joined King
Mob. They also met, and worked with,
John Barker who would later serve a prison sentence for his role in the Angry Brigade bombings.
Techniques
King Mob used a variety of techniques which could be placed into two categories:
- Writing and propaganda. This included: Graffiti, distribution of flyers, posters and their publication The King Mob Echo.
- Direct Action.
Writing and Propaganda
Their most famous graffiti slogan appeared as a message mocking commutors on a stretch of the
Hammersmith and City line. IT stayed there for several years, surviving until the 1990s (see below).
Same thing day after
day- tube - work - dinner - work - tube - armchair - TV - sleep - tube - work
-how much more can you take? - one in ten go mad, one in five cracks up
In
fact, King Mob took their name from a piece of graffiti that appeared on
Newgate prison during the 1780 Gordon riots.
Rioters smeared the walls of the prison with the phrase “His Majesty
King Mob” after having gutted the prison itself. King Mob planned to paint Wordsworth’s house with the slogan
“Coleridge Lives” but never realised this act.
King Mob used posters and their publication
The King Mob Echo to
disseminate their political beliefs.
These publications sparked controversy by applauding murderers such as
Jack the Ripper, Mary Bell, and John Christie.
They even went as far as to
celebrate Valerie Solanas' 1968 shooting of Andy Warhol and to include a
hit-list of several celebrities: Yoko Ono, Mick Jagger, Bob Dylan, Richard
Hamilton, Mario Amaya (who was also shot by Solanas), David Hockney, Mary
Quant, Twiggy, Marianne Faithfull, and IT editor Barry Miles. Their publications were satirical and
featured cartoon characters such as Andy Capp and the Bash Street Kids (from
the Beano).
 |
| Front cover graphic from a
King Mob anti-art diatribe, circa 1968. Anonymous. Courtesy Tate
archive. A dancing skeleton holding a burning torch captioned "anarchy"
and wearing a sash captioned "communism", unfurls a scroll labeled "Mob
Law", upon which is written a message from King Mob encapsulating the
group’s ideas regarding culture - "the commodity which helps sell all
the others". |
Direct Action
Some of King Mob’s other ambitious, and
unrealised, plans included blowing up a waterfall in the Lake District and hanging
peacocks in a London park.
One infamous stunt that was executed was a critique on the ownership of public and private space that saw the group, dressed as gorillas and
pantomime horses, storm a private west London park and tear down its gating
in order to open the park up as a children’s play ground.
A strong case can be made that King Mob's use of direct action was influenced by Black Mask. In the 1960s King Mob spent time with Black Mask’s Ben Morea
and co-signed at least one statement by Up
Against the Wall Motherfucker! In a
1967 anti-war rally the group was able to storm the Pentagon (which led to a
severe beating). Militant acts such as
these distinguished King Mob and Black Mask from the intellectual French
Situationists and the British Situationist support for Morea led to their
expulsion from Situationist International.
Like Morea’s Motherfuckers,
King Mob was more extreme than, and suspicious of, most other “radicals”. They were often an unwelcome presence at
events for example: during the famous Hornsey Art College occupation they were thrown out
for mocking the level of debate. At the LSE occupation, student leaders removed their sexually explicit posters.
Inspired by Black Mask's "mill-in at Macy's", twenty five members of King
Mob stormed London's Selfridges, with one member, dressed as Father
Christmas, to distribute all of the store's toys to children. The police were
called and forced the children to return the toys. King Mob claimed they were not as radical as
Father Christmas, as "he breaks into people’s houses".
King Mob's legacy includes their influence on Malcolm McLaren, who claimed to have been at the Selfridges event, and apparently adapted
their Situationist models in the promotion of the Sex Pistols.
Further Reading:
