Showing posts with label Freedom of Speech. Show all posts
Showing posts with label Freedom of Speech. Show all posts

Monday, 8 August 2011

Twitter - Just Like a Phonebox Really


London rioted again last night.  On Thursday the Police shot and killed Mark Duggan in Tottenham.  Riots broke out and shops were burned and looted.  Last night (Sunday) saw a wave of “copycat criminal activity” (Met) across the capital: “Disorder spread to Enfield, Walthamstow and Waltham Forest in north London and to Brixton in the south of the city”. 
Reports from mainstream media (old media) quickly turned to the economic cost, how this could damage the Olympics next year (economics again) and how the trouble is perpetrated by minority groups.  There has been speculation that that some of the people involved were anarchists, and we all know the police don't like anarchists because they asked us to report on any known anarchists just last week (as if having a political belief is criminal).  Kit Malthouse, Deputy Mayor of London and Chair of the Metropolitan Police Authority said "Obviously there are people in this city, sadly, who are intent on violence, who are looking for the opportunity to steal and set fire to buildings and create a sense of mayhem, whether they're anarchists or part of organised gangs or just feral youth frankly, who fancy a new pair of trainers."
You can read more about how the Daily Mail blamed Twitter for the riots here.  I wonder what rioters of the past used to organise levels of greed and criminality?  I guess they might have spoken to each other or maybe used a telephone to call up their mates but, correct me if I'm wrong, I don't recall newspaper reports or police chiefs blaming payphones for the riots.  Twitter, and all social media, is just a means of communicating.  What sort of person you are and who you choose to communicate with is up to you, it has nothing to do with the service provider - just like payphones.   What we need to recognise is that there are a lot of old people who have no idea how the internet works, fear Twitter and Facebook and so put the blame on them rather than tackle real issues. 
What seems to me to be more important is a) why the police were so ineffective b) why is this happening in the first place and c) what the ramifications will be for free speech and our right to protest. 
On the first question, Mayor Boris Johnson issued a statement referring to a "Michael Duggan" - so incompetence goes right to the top!   BBC London's Paraic O'Brien said of the situation in Brixton:
We can only conclude that the police are scared of Brixton "the ghetto", were ill prepared or that the level of unrest was so great that the police had no chance - in which case the press have failed to communicate the level of severity.  

On the second point - the old press (and politicians) seem to have no interest in "why".  Rhetoric such as "outside agitators" and "anarchist groups" upsetting the "hardworking majority" (Tottenham MP David Lammy for example)is not helpful.  Richard Seymour (on Facebook) calls this "Crocodile tears from people who spend a lot of their time screwing over the hard-working majority...The point is to understand that this is an inevitable reaction to police murder, racism, and - more generally - the destruction of working class communities. The point is to get that what's happening can't be reduced to 'yob politics'".

On the third point (the ramifications for free speech and our right to protest): I've already pointed out that Social Media providers cannot be blamed for what users decide to discuss.  Users should also be free to discuss whatever they like, if they disclose criminal activity then they are potentially incriminating themselves but monitoring Twitter to see what people might do...  Can you imagine the police phone-tapping every call made from every telephone and arresting people based on what they insinuated they might do?  I can, sounds a bit Stalinist or reminiscent of the Stasi or Gestapo doesn't it?  Yet when this occurs with Social Media it's OK?  Richard Seymour points out (on Facebook) the police are using rumours (on FB/Twitter) as the basis for a crackdown.  "Cop car parked diagonally on Enfield town pavement while young kid was stopped, searched etc. Vans driving up and down, shops closing in panic."  See photos here.  The danger is not that Twitter can spread rumours of a riot but that rumours of a riot on Twitter reach a far bigger audience when people start seeing arrests, shops closing early and panic setting in in places like Enfield.  I'm sure word will soon spread - through Twitter or by word of mouth, it doesn't matter. 



Monday, 1 August 2011

The Salamander

Dalia Zaida: source
The salamander is an amphibian: it sits between land and water.  This, we are told, is the reason behind the naming of Samandal (Arabic for salamander) Comics, which sits between the word and the image - but also between the (children's) comic and Fine Art project - or between the "high brow" and the "raised brow" as they put it.  Salamanders are also capable of regenerating limbs, which is unique among vertebrates, making them a kind of super hero. 

Hatem Imam (co-founder of Samandal) gave a talk on the project at the Serpentine Gallery on Saturday 30 July.  The main part of the project involves a quarterly tri-lingual (Arabic, English and French) publication comprising of a wide range of contributors (writers and artists, and non-artists).  Their stated aims are to raise the profile of comics in the middle east and to have fun - Hatem tells us that the immediate response to the question "what do you think of comics in the Middle East" is ..."there aren't any".  Of course, this isn't true and much of Hatem's talk sought to educate his audience about Middle Eastern comic books and, also, what comics were available to him growing up.  However, is there another agenda? 

"All comics are political", Hatem tells us and goes on to cite examples from "innocent" children's comics.  One such example is particularly blunt, I'll paraphrase Hatem's translation here:

The chicken has a house.  The chicken's house is called a coupe.  
The horse has a house.  The horse's house is called the stable.  
etc, etc,...
The Palestinian HAD a house.  The Israelis took it.  The only way for the Palestinians to get their house back is to fight the Israelis. 

Of course, the political is all the more evident when looking at comics from the Middle East.  Samandal do not wish to publish anything as blunt as the children's story above, in fact they steer away from the political.  However, being based in Beirut, and in the midst of an Arab Revolution, means they will never be able to completely escape the political.  Hatem talked of his comic book heroes growing up and how he imagined them coming to save him from the Lebanese civil war.  He also talked about how these heroes were often foreign (American, French, Japanese) as there were no Lebanese or Arab comics readily available.  Perhaps most interestingly he spoke of how these foreign comics were translated, and the inherent politicisation of the choice of words - every choice is political.  It's only just dawning on me now, that his looking to foreign comicbook heroes for salvation might reflect a wider Arab cultural position, that of waiting for intervention.  Perhaps in the case of the Lebanese civil war, from France, Britain, and/or America (or maybe Syria?).  In the contemporary case of Libya we can see the US deliberately playing a back seat role to the UK and France.  In Tunisia and Egypt no intervention was necessary and we have seen initial domestic resolution, but must wait to see how this pans out.  In Bahrain and Syria we have seen no intervention and as I write there are reports of over 130 Syrian protesters killed by their government. 

Hatem's talk was set in the context of the Bidoun Library - a kind of residency at the Serpentine.  Bidoun has developed a resource of books periodicals and ephemera investigating the diverse histories of printed matter related to the Middle East.  For this "residency" Bidoun has indiscriminately collected, and displayed, printed matter on the Middle East in the wake of the Arab Revolution, most predominantly that of Egypt.  It is as part of this project that they found, and invited to talk, Samandal.  The similarity between the two projects is actually in their apolitical political stance.  Bidoun don't censor, they collect everything with no regard to quality.  Samandal, of course, do select.  They select in terms of quality, but not by theme or political agenda.  Know a comic book artist or writer in the Middle East (or not)?  Get them to submit and add to the diversity of opinion that is Samandal


Hatem Imam is a visual artist and designer whose work includes print media, installation, photography, video, and painting. In 2007, he co-founded Samandal comics magazine. He is board member of the 98weeks research project, the artistic director of the Annihaya record label, and a founding member of the art collective Atfal Ahdath. Since 2007, he has been teaching at the Department of Architecture and Design at the American University of Beirut.
Samandal Comics is a Beirut-based magazine dedicated to comics, with contributors from all over the world. The goal of Samandal is to provide a platform on which graphic artists may experiment and display their work, generating contemporary reading material for comics fans.