Monday 28 October 2019

Umberto Eco on Interpretation and Over-interpretation: A Summary


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Overview

In 1990, Umberto Eco gave a series of three lectures on “Interpretation and Overinterpretation” as part of the Tanner Lectures in Human Values at Clare Hall, University of Cambridge. (Eco, 1990) The lectures were later reproduced as the first three chapters in an edited book entitled Interpretation and Overinterpretation (1992) edited by Stefan Collini. In these lectures, Eco outlines his concerns about over-interpretive bias in contemporary theory. In his introduction, Collini characterises these concerns as “the way some of the leading strands of contemporary critical thought… appear to him to license the reader to produce a limitless, uncheckable flow of ‘readings’”. Eco asks if there are limits to what a text can be made to mean, and whether the author’s intentions should play a part in defining these limits. The limits, he concludes, are not located in either the author’s intention or the reader’s interpretation… but in the text itself. Eco’s lectures are followed by three response chapters by hermeneutic pragmatist Richard Rorty, deconstructionist Jonathan Culler and novelist-critic Christine Brooke-Rose. Eco concludes the book by responding to these challenges.

Interpretation and History

In the first lecture, “Interpretation and history”, Eco seeks to reveal, or even undermine, postmodernism’s relativist foundations. His goal is to find the middle ground between totally relativist and totally dogmatic approaches to interpretation. In his words, between a “radical reader oriented theory of interpretation” where Rorty has noted:
“the critic asks neither the author nor the text about their intention but simply beats the text into a shape that will serve his purpose. He makes the text refer to whatever is relevant to that purpose. He does this by imposing a vocabulary – a grid in Foucault’s terminology – on the text which may have nothing to do with any vocabulary used in the text or by its author, and seeing what happens” (1991, p. 151)
and on the other hand, “finding the original intention of the author”, which may be impossible to discern or irrelevant for the interpretation of the text. (1992, p. 25) Eco locates postmodern theories of interpretation within a history of ancient hermeticism and gnosticism. Both his ancient and postmodern examples consider the study of signs and symbols to be unproductive, as they are unable to reveal truths, but only displace them elsewhere. (1992, p. 35) Eco could be describing Derridian Deconstruction when he notes that:
“The reader must suspect that every line […] conceals another secret meaning; words, instead of saying, hide the untold; the glory of the reader is to discover that texts can say everything, except what the author wanted them to mean”. (1992, p. 39)
Acknowledging that in voicing his concerns he has put forth caricatures of the worst kinds of radical reader oriented theory of interpretation, Eco nonetheless asserts that caricatures can be good portraits. (1992, p. 40) The possibility to reject absurd interpretations or agree on reasonable ones disappears when endless possible meanings become acceptable: this, for Eco characterises “overinterpretation”. The reason for the apparent return (or persistence) of anti-rationalist relativism, however, is not addressed. Nonetheless, he sets up the next two lectures by claiming that somewhere there are criteria for the limits of interpretation and that he intends to find and delineate them.

Overinterpreting Texts

In lecture two, “Overinterpreting texts”, Eco argues that overinterpretation can occur even when there are multiple valid interpretations of the text. For Eco, it is not the reader who produces meanings in the text, but the text which produces the “model reader”. This is what he calls the “intention of the text”. The model reader must take their cues from the text, meaning that not all interpretations are valid and that some will be rejected as preposterous. Eco claims that a text can “foresee a model reader entitled to try infinite conjectures” but that this reader is “only an actor who makes conjectures about the kind of model reader postulated by the text”. (1992, p. 64) Eco proposes “the intention of the text” as a solution to the excesses of interpretation based on an overestimation of the possibilities of similarity and analogy (with an implicit nod in the direction of Foucault).

Between Author and Text

In the third lecture, “Between author and text”, Eco makes the case for a “liminal author”. The author is “liminal” insofar as he exists on the threshold between the intention of the author and the linguistic intention displayed in the text. The author is shaped by his “cultural and linguistic background”; (1992, p. 69) the reader, he tells us, must therefore respect these boundaries.
All three response chapters take up positions contra Eco. Unsurprisingly, Rorty makes a passionate case for interpretation, disputing Eco’s distinction between “using” a text (for irony or parody, for example) and “interpreting” a text. (1992, p. 93) Culler takes on both Eco and Rorty. He suggests that the most extreme over-interpretive moments can be the most significant, as it is in such moments that greater literary and social understandings lie. (1992, p. 110)
Rorty’s challenge forms the main part of Eco’s response. Eco ends by asserting that “Hiroshima was bombed and that Dachau and Buchenwald existed” (Eco et al., 1992, p. 150)– thus implicitly linking over-interpretation to post-truth. He concludes that the author’s intention may, indeed, set limits to the work’s interpretation.

References

Eco, U. (1990). Interpretation and overinterpretation: World, history, texts. The Tanner Lectures on Human Values. Presented at the The Tanner lectures on human values, Clare Hall, Cambridge.
Eco, U., Brooke-Rose, C., Culler, J., Collini, S., & Rorty, R. (1992). Interpretation and overinterpretation (Paperback; S. Collini, Ed.). Cambridge: Cambridge University Press.
Rorty, R. (1991). Consequences of pragmatism: Essays 1972-1980. Hemel Hempsted: Harvester Wheatsheaf.